Indian film studios are re-centering movie theatres, delaying OTT releases after theatrical debuts to chase box-office success. As streaming platforms cut spending on film rights, collections have surged, with 2025 hitting record highs. The shift changes the release rhythm for audiences and reshapes revenue strategies across producers, exhibitors, and streamers alike.
Indian film studios are re-embracing a theatre-first release model as streaming platforms cut spending. Instead of going straight to OTT, movies are reaching OTT only about eight weeks after their cinema debut. The change signals fading appetite for direct-to-digital premieres, with box office collections rising even as demand for digital licensing weakens.
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The Indian Broadcasting and Digital Foundation has entered a legal dispute over Prasar Bharati’s WAVES platform and whether OTT services can stream live TV channels. The All India Digital Cable Federation says streaming violates distribution rules, while Prasar Bharati argues TRAI cannot regulate OTT content. The case revives long-running questions about governance for internet-delivered television in India.
Thalapathy Vijay’s much-anticipated film Jana Nayagan is stuck as delays mount and a piracy leak reportedly derailed its OTT plan. Prime Video allegedly backed out of a ₹120 crore deal after the movie surfaced online, forcing the producers to revise terms and absorb additional costs, adding to uncertainty around its next release timeline amid pending censor clearance.
Michael, the biopic of music legend Michael Jackson starring Jaafar Jackson and directed by Antoine Fuqua, opened strongly at the global box office after its April 24, 2026 release. The film covers his rise to fame through his peak years up to 1988. An official OTT release date hasn’t been announced, but reports indicate it could land on premium video-on-demand platforms soon.
IAN Alpha Fund has led a ₹32.7 crore investment round in sports-tech startup SportVot, joining other investors. The funding will fuel SportVot’s international expansion and scale its AI-led production, analytics, and white-label OTT services. SportVot says it helps nearly 99% of global events—often unrecorded—stream at broadcast quality, while building structured data for future scouting and monetisation.
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IAMAI has accused TRAI of overstepping its authority, saying proposed spam-call regulations could unfairly target OTT platforms like WhatsApp. The industry body argues OTT services are not telecommunication services and warns that mandatory data sharing would violate constitutional principles, raising serious jurisdiction concerns for digital platforms.
Punjab Congress president Amarinder Singh Raja Warring has filed a PIL in the Punjab and Haryana High Court seeking a ban on ZEE5’s upcoming web series “Lawrence of Punjab.” He argues the show risks glorifying gangster Lawrence Bishnoi and may negatively influence youth. The petition calls for stopping the release while the court examines potential harm and portrayal concerns.
A likely Reliance-Disney Star deal would create India’s largest media conglomerate, with about INR 25,000 crore top-line, 115 TV channels, and two streaming platforms. The combined content library could exceed two lakh hours, potentially accelerating a “super app” push and reshaping the broader TMT ecosystem.
Viacom18, backed by Reliance and led by media executive Uday Shankar, has acquired IPL digital rights for five years in a massive deal worth about ₹23,758 crore. The investment dwarfs its current OTT footprint, raising the key question: can Viacom18 convert IPL demand into subscriptions and sustainable profits, or will competition from established platforms stall returns?
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India’s OTT market is surging, reaching 1.45 billion monthly active users as mobile data and smartphone adoption keep expanding viewing. YouTube tops the user count, with JioHotstar close behind, while Netflix has edged ahead of Amazon Prime Video. Meanwhile, ZEE5’s focus on subscriptions and local content is translating into stronger revenue and profitability.
JioCinema’s decision to place costly HBO content behind a paywall is triggering questions about the long-term viability of pure-play AVOD monetisation. As OTT firms chase both subscriber growth and profit targets, the shift suggests ad-first strategies may get deprioritised or reshaped to accommodate premium bundles and subscription revenue.
Global streaming giants are increasingly partnering with Indian digital platforms as they race to grow in India’s OTT market. Instead of taking on full operational risk, players such as BBC, Disney+, and Warner Bros Discovery are using local expertise to reach a huge potential subscriber base while accelerating launch and expansion.
Netflix already enjoys an edge with Indian viewers who love international series, but it is now reshaping its approach to win in a cutthroat OTT market. The streaming giant’s emerging India playbook is being described as a “masala mix,” targeting rivals like Disney+Hotstar and Amazon Prime Video with a more calculated content blend.
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The Ministry of Information and Broadcasting has advised ZEE5 against releasing a controversial documentary linked to gangster activities, citing serious concerns about public order and the risk of glorifying crime. The directive follows an ongoing process and signals heightened scrutiny of OTT content tied to criminal figures and narratives that could influence audiences.
Microdrama platforms are teaming up with telecom operators to reduce fragmentation and convert rapid download growth into paid subscriptions. While the sector boasts 20-plus apps and strong user expansion, monetisation remains difficult because advertising revenue hasn’t kept pace. Telcos are now borrowing OTT-style bundling playbooks, combining data with content to lift ARPU and retention.
Dish TV India said shareholders overwhelmingly approved the appointment of three independent directors, a vote of confidence in its strategic direction. The DTH operator plans to strengthen core operations while backing sustainable growth not only in its traditional DTH business but also in newer efforts such as connected TV and OTT.
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